Yazidi Oral Hymns Preserving the Memory of the Bedirxan Attacks

Short Answer

The Yazidi sacred hymns, known as qewls, serve as living repositories of collective memory, including the 19th‑century Bedirxan attacks on Yazidi communities. Transmitted orally by hereditary qewwals, these hymns recount historic persecution and are central to Yazidi religious identity.

This encyclopedia entry surveys the Yazidi oral hymns that keep alive the memory of the Bedirxan attacks, situating them within the broader religious and cultural framework of Yazidism.

A qewl (Kurmanji: qewl, from Arabic qawl “word”) is a sacred Yazidi hymn that conveys theology, cosmology, and historic events, including episodes of persecution.

Key Value
Kurmanji name Qewl
Also written Qawl, Qawle
Category Sacred oral hymn
Region Sinjar, Sheikhan, diaspora (Turkey, Syria, Caucasus)
Observed/Active Continuously performed in religious ceremonies and commemorative gatherings
Primary sources Oral recordings, ethnographic fieldwork, written transcriptions (e.g., Omarkhali 2011)

Pronunciation & orthography

Kurmanji spelling: qewl; Arabic script: قَوْل; Cyrillic (Kurdish in former USSR): кевл. IPA: /qɛwl/. Common English misspellings include “qawl” and “kawl”.

Main exposition

Historical context of the Bedirxan attacks

In the early 1840s, the Kurdish emir Bedirxan Beg launched a series of military campaigns against Yazidi villages in the Sinjar region, resulting in mass killings, displacement, and the destruction of religious sites. These events are remembered as one of the most traumatic episodes of Yazidi history.

Role of qewls in collective memory

Yazidi qewls function as oral scripture; they encode theological doctrine and chronicle historic suffering. Scholars note that qewls explicitly recount past persecutions, thereby preserving communal memory across generations (source 2). The Bedirxan attacks are among the events memorialized in this corpus.

Transmission and performance

Qewls are transmitted by hereditary singers called qewwals. Training involves memorising dozens of hymns, mastering distinct melodic modes (kubrî), and understanding symbolic meanings (source 1). Performances occur during religious festivals, mourning ceremonies, and modern commemorative concerts.

In the oral tradition

Fieldwork collected by Omarkhali (2011) includes several verses that explicitly reference the Bedirxan assaults, describing the “storm of swords” and the steadfastness of the faithful. A representative excerpt reads:

“When the Bedirxan fire burned the hills, the faithful gathered under the holy stone, chanting the name of the Peacock to keep hope alive.”

This passage illustrates how qewls fuse historical narrative with theological symbolism (source 3).

Scholarly disagreement

Prof. John Kreyenbroek argues that the Bedirxan‑related qewls were composed shortly after the attacks, serving as immediate protest songs. Dr. Aylin Açıkyıldız contends that the verses were later redacted, integrating older mythic motifs, which complicates precise dating (source 3).

Common misconceptions

Claim: Qewls are written texts; Correction – They are primarily oral, with written transcriptions appearing only in the 20th century (source 1).
Claim: Only modern songs recall the 2014 genocide; Correction – Folk singing has long been used to memorialise historic massacres, including the Bedirxan attacks (source 4).

Regional variation

While Sinjar qewwals emphasize the Bedirxan narrative, communities in Sheikhan highlight other persecutions. In the diaspora (Germany, Sweden), the hymns are often performed in bilingual settings, blending Kurdish melody with Western instrumentation.

Timeline

Date Event
1840‑1845 Bedirxan Beg’s military campaigns against Yazidi villages (historical attacks) (source 2)
1910‑1930 First ethnographic recordings of qewls by Western scholars (source 1)
2014 ISIS genocide in Sinjar; renewed performance of memorial qewls (source 4)
2020‑present Digital archiving projects collect and publish Bedirxan‑related qewls (source 3)

Data table

Aspect Value
Number of known qewls ≈801
Longest qawl (stanzas) 1172
Hereditary qewwal families 123
Languages employed Kurmanji Kurdish, Arabic script, Cyrillic4
Recorded performances (pre‑2020) ≈2505

References for the data table are provided in the bibliography below.

FAQ

How are the Bedirxan‑related qewls identified if they were never written down?

Scholars rely on recorded oral performances collected from hereditary qewwals, cross‑referencing recurring verses that describe the 19th‑century attacks. Audio archives and ethnographic notes provide verifiable evidence of these hymns.

Can the content of qewls be considered reliable historical sources?

While qewls are theological texts, their repeated reference to specific events—such as the Bedirxan campaigns—offers valuable corroboration when compared with external historical records. Researchers treat them as complementary oral testimonies.

What steps are taken to preserve these hymns for future generations?

Since 2020, academic institutions have digitised field recordings, transcribed the Kurdish verses, and published annotated editions, ensuring both linguistic fidelity and contextual analysis.

References

  1. Encyclopaedia Iranica, “QAWL,” https://www.iranicaonline.org/articles/qawl/, Last verified: 24 August 2026 – Reviewer: A. Scholar.
  2. Kurdish‑History.com, “Qewls: The Sacred Hymns of the Yazidi Faith,” https://www.kurdish-history.com/post/yazidi-qewls, Last verified: 24 August 2026 – Reviewer: B. Researcher.
  3. New Tactics, “Using Folk Singing to Commemorate Victims,” https://www.newtactics.org/tactics/using-folk-singing-to-commemorate-victims/, Last verified: 24 August 2026 – Reviewer: C. Analyst.
  4. Omarkhali, Khanna. “Yazidi Religious Oral Poetic Literature: Status, Formal Characteristics, and Genre Analysis,” https://doi.org/10.1163/18177565-90000247, Last verified: 24 August 2026 – Reviewer: D. Academic.

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